Left to right, top to bottom: Martha Swope, Dancers Arthur Mitchell, Diana Adams, George Balachine, and Igor Stravinsky during rehearsals for Agon, choreographed by George Balachine for New York City Ballet, 1957 New York City Ballet souvenir program from the company’s second European Tour through Spain, France, Italy, the Netherlands, England, Scotland, and Germany, 1952 Charles Henri Ford, 'Ballet for Tamara Toumanova", in View (2nd series, no. Digital image © Whitney Museum of American Art, New York Francis) Pavel Tchelitchew, Costume design for Variations on Euclid, choreographed by Ruth Page for XX, c. 1938 Pavel Tchelitchew, Window display for shoes after set design by Pavel Tchelitchew for Nobilissima Visione (also known as St. Francis), choreographed by Leonide Massine for Ballets Russe de Monte Carlo, c. 1946-48 Pavel Tchelitchew, Set design by Pavel Tchetlichew for Nobilissima Visione (also known as St. 1937 Pavel Tchelitchew, Anatomical Painting, 1946 Pavel Tchelitchew, Costume designs for Variations on Euclid, (premiered as Expanding Universe), choreographed by Ruth Page for XX, c. Left to right: Nick Mauss, Images in Mind, 2018 George Platt Lynes, Dancer Jacques D’Amboise in a costume designed by Paul Cadmus for Filling Station, choreographed by Lew Christensen for Ballet Caravan, 1938 George Platt Lynes, Cabaret Performer James Leslie Daniels, c. 1932 Pavel Tchelitchew, Costume designs for Ode, choreographed by Leonide Massine for Sergei Diaghilev’s Ballets Russes. 1925 Pavel Tchelitchew, Costume Design for Variations on Euclid (premiered as Expanding Universe), choregraphed by Ruth Page for XX, c. 1946-48 Dorthea Tanning, Costume design for dancer Shirley Weaver in The Night Shadow, choreographed by George Balanchine for Ballet Russe de Monte Carlo, 1945 Dorthea Tanning, Costume design for The Night Shadow, choreographed by George Balachine for Ballet Russe de Monte Carlo, 1945 Eugène Berman, Painted three-fold screen with watercolor sketches (1937-42), 1944 Pavel Tchelitchew, Head of Man (Interior Landscape), 1944 Walker Evans, Lincoln Kirstein (Without Hat), 1931 Elie Nadelman, Head of a Woman, c. 1907 Dorthea Tanning, Costume Design for dancer Merriam Lanova in The Night Shadow, choreographed by George Balanchine for Ballet Russe de Monte Carlo, 1945 Dorthea Tanning, Costume design for dancer Shirley Weaver in The Night Shadow, choreographed by George Balanchine for Ballet Russe de Monte Carlo, 1945 Dorthea Tanning, Costume designs by Dorthea Tanning for The Night Shadow, choreographed by George Balchine for Ballet Russe de Monte Carlo, c. 1932 Unknown artist, Dance of the Eyes (Dancer Loïe Fuller), c. Left to right, top to bottom: Pavel Tchelitchew, Costume designs for Variations on Euclid, (premiered as Expanding Universe), choreographed by Ruth Page for XX, c. The team have a great many decades of Score Group experience between them and are eager to employ this knowledge to discuss your valve requirements and issues. Furthermore, we’re keen to tell you about our Emission Elimination Program #EEP, helping you build and maintain a sustainable future. Follow our page to find out more about our EEP in future posts.Installation view of Nick Mauss: Transmissions, Whitney Museum of American Art, New York, 3/16. We’ve a fantastic team going along to the show including representation from our AsiaPacific, the Americas, Middle East and Europe and Africa locations, and they’d be delighted for you to visit them in Hall 1 Stand E50. Valve World Expo in Dusseldorf is quickly approaching and we’re really looking forward to exhibiting and also presenting at the conference.
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